FOLDING

Folding reflects around the concepts of memory and vision and their relationship with the image.

By closing his eyes, the artist tries to re-concile with the movements of his body recorded by the sheets during the night, an action aimed at using the image as a tactile experience, to physically enter into the sleep.

The project intends to surrender to sight and use the surface of the sheet as a visual terminal, where the liberation of the mind from the body generates images.

The surface is activated to experience the purest and most impalpable essence of seeing as a place where images exist free and in relation to themselves.

The process of composition and photographic drawing reproduces, like a copy, the very act of abandoning oneself to sleep and the images that flow from it.

The term ‘folding’ alludes to the possibility of revisiting the sheet taking it with you as a memory or fold it into a drawer and then take it back, lay it down and reuse it as a tool to see.